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Originally Posted by City Pages
An elfin, curly-haired photographer tried to explain something to an officer, something about his equipment. The officer indifferently took out a mace canister and unloaded in his face. The photographer began emitting primordial screams and dropped to his knees, rubbing his eyes and crying for help.
“I said put your hands behind your head!”
But he couldn’t take his hands away from his face, which was now caked in tears and mucus.
“Put your hands behind your head, or you’re getting maced again!” This time, the photographer managed to pry his hands off his face and follow orders.
We sat in that position for a half-hour as police secured the area. A rigid silence had now replaced the shouting and screaming and exploding. Behind me, a sobbing middle-aged woman kept repeating that she lived in a nearby apartment, she didn’t do anything, she was just outside watching. An officer told her to calm down and that “freaking out just makes it worse.”
A female officer, noticing the press credentials around my neck, took them off and brought them to show a few of her colleagues. They stood in the middle of the blocked off intersection and examined them. She returned and put it back around my neck.
“Those things are all bullshit, anyway,” scoffed a young officer who was standing nearby.
“I just checked ‘em,” she replied. “They’re valid.”
“Well, I heard that press are going to jail tonight anyway, so it doesn’t matter.” He turned his head and spat.
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To my right sat a young videographer with MTV. Two spots down to my left sat Art Hughes, who, exactly one week earlier, had penned a guest opinion in the Pioneer-Press condemning the detention of reporters and confiscation of equipment. (Titled, “Free people in a free country are free to use their cameras.”) The short, unassuming freelancer now sat on a curb, his hands bound, his backpack lying dead on the grass behind him.
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